Vasco Mouräo

Vinyl Moon

Original Artwork for a gatefold of a double case vinyl record.

Published by VinylMoon in July of 2017 for the Volume 22 – Might.

This work belongs to a ongoing series that focuses on the concept of infinite, of something that has no beginning or end. Sequences of imaginary buildings and constructions that grow into each other in a continuosly.


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Ink on paper

Art size: 41 x 73 cm

Publisher: VinylMoon

Published in: USA

Year of publication: 2017

Hand drawing on Waterford 250g/m2  paper

Signed bottom right





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Vasco Mourão

An ex-architect turned into an illustrator with a tendency for obsessive drawings. Only with a black pen and time, he draws cities, buildings, structures and other architectural meanderings.
Inhabiting a place between fine art and illustration, he works in editorial commissions as well creating exclusive artworks and large scale murals for private clients and institutions.
Drawing mostly from memory and his knowledge as an architect, he deconstructs the elements of the city and re-arranges them on a variety of mediums, creating a hyper-depiction of the urban landscape and its textures.
Obsessed with the drawing of cities and architectural forms, his practice has been establishing itself through line drawing, usually with recourse to a black pen, by way of which he creates dense, intricate compositions blending both real and imaginary structures and spaces.
Besides creating commissions for clients such as Apple, Established & Sons or SEAT and working in the field of editorial illustration—having been featured in leading publications such as The Washington Post, The New Yorker, and Wired, among others—he has also been showcasing his work in exhibitions and painting large-scale murals in Portugal, Spain, USA and Japan.

Available for direct commissions